Brazilian version of the competitive cooking reality show where amateur and home chefs compete for the title of MasterChef.

Agora é Tarde is a Brazilian late-night talk show produced by Eyeworks and broadcast by Rede Bandeirantes since 2011. The show is hosted by Danilo Gentili and is the second most successful show by Bandeirantes.

Professional chefs do their best to please the demanding palates of three of Brazil's greatest chefs in a delicious dispute for the grand prize.

First Brazilian TV Horror Show hosted by Coffin Joe. Directed by José Mojica Marins and written by Mojica and Rúbens Francisco Lucchetti, this TV show was produced by TV Bandeirantes (1967-68), using a realistic tone and a popular appeal. Despite the negative reviews this TV show has a great audience, reaching first place often.

A Brazilian reality television series in which chef Érick Jacquin is invited by the owners to spend a week with a failing restaurant in an attempt to revive the business.

Busão do Brasil was a Brazilian reality television show, which premiered July 30, 2010 with the season finale airing October 19, 2010 on the Band television network.

The show was presented by former MTV Brasil VJ Edgard Piccoli, with the direction of Michael Ukstin. There were twelve contestants competing for the grand prize, which was R$1,000,000 without tax allowances.

29 year-old police officer Mario Remo won the competition over student Thalita Wagner and fashion designer Camilla Fit at the live finale.

is a Brazilian television series for children, produced by Rede Bandeirantes in partnership with mixer and co-producer Nickelodeon Brazil.

Custe o Que Custar is a Brazilian television comedy show, produced by Eyeworks and aired weekly by Rede Bandeirantes since March 17, 2008. It is presented by Marcelo Tas, and has in its team Marco Luque and Oscar Filho. The news reports are conducted by Felipe Andreoli, Monica Iozzi, Mauricio Meirelles, Ronald Rios and Dani Calabresa.

The program covers weekly events from Politics, Arts and Sports, from a humorous and satirical viewpoint. It oftens uses metalanguage by satyrizing the very program on live transmissions, and introducing graphics and sound effects from the subjects.

The format comes from Argentina, when it was originated under the name Caiga Quien Caiga, created in 1995 by Mario Pergolini