At Tony's suggestion, Junior is made acting boss after Jackie dies. In therapy, Tony surprises Dr. Melfi with an admission. Carmela and Irina (Tony's mistress) both suffer as Tony's libido takes a nosedive.

At therapy, Tony likens himself to the 'sad clown,' but Melfi doesn't buy into his melancholy portrait. Meanwhile, Carmela drags A.J. with her to Furio's house to offer decorating tips and companionship; Paulie puts the finishing touches on some free artwork; and Christopher finds himself at a crossroads.

Tony sizes up a contractor's gift, then reunites with his paroled cousin, Tony Blundetto. Paulie and Christopher relive some not-so-special memories. Carmela launches a film club. Adriana grapples with her guilt. A familiar figure 'crosses over.'

Tony goes home and returns to business, perhaps with a new frame of mind. Paulie receives a shock about his mother.

Paulie finds public opinion turned against him after an amusement ride accident, while Chris tries to start a new life as a husband and father.

Phil Leotardo seeks to continue a cycle of retaliation between the New York and Jersey families. Christopher wrestles with his addictions. Tony decides keeping Carmela occupied with the spec house is for the best. A.J. gets a new girlfriend.

Christopher's Cleaver premieres, showing Tony how he feels about him. Johnny Sack faces a health crisis. Phil Leotardo resents his family, and himself, for being weak and downtrodden. Silvio gets caught up in New York's power vacuum.

The Soprano and Lupertazzi crime families quarrel over asbestos removal. Tony deals with a problematic associate. Paulie suffers a devastating personal loss. A.J. questions his friendship with Jasons Parisi and Gervasi.

The spectre of disloyalty among the crew hangs over Tony as Phil Leotardo decides how to handle recent issues with the Soprano crime family. A hit gone wrong comes at a huge cost. A.J.'s conquering of his depression is challenged.