When a near fatal wreck thwarts his boyhood dream of racing cars, George Lucas finds success as a filmmaker. He spends his own money on the special effects of an ambitious new “space opera”, but progress is painfully slow. With the help of key new hires, ILM rallies to finish the film on time. Star Wars premieres to worldwide success, yet George remains curiously unsatisfied with the results.

Stop-motion genius Phil Tippett feels like he’s gone extinct when CG unexpectedly takes center stage in Jurassic Park. The watershed moment convinces George Lucas to return to his long-planned Star Wars prequel trilogy and push the technology even further. As digital filmmaking continues to grow and evolve, The Volume proves that the spirit of innovation remains alive and well at ILM.