We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

While patrolling Federation space, the U.S.S. Shenzhou encounters an object of unknown origin, putting First Officer Michael Burnham to her greatest test yet.

Face to face with Klingon vessels, the U.S.S. Shenzhou prepares for the possibility of war if negotiations fail. Amidst the turmoil, Burnham looks back to her Vulcan upbringing for guidance.

Burnham finds herself aboard the U.S.S. Discovery where she quickly realizes things are not as they seem, including the mysterious Captain Gabriel Lorca.

With tensions and stakes high as Starfleet continues in their efforts to end the war with Klingons, Burnham begins to settle in to her new position aboard the U.S.S. Discovery.

Lorca unexpectedly finds himself in the company of a prisoner of war, Starfleet Lieutenant Ash Tyler, and a notorious intergalactic criminal, Harry Mudd. Meanwhile, Burnham voices her concerns about the repercussions of the spore drive jumps on “Ripper.”

The U.S.S. Discovery crew is intrigued by new addition, Lt. Ash Tyler. Sarek seeks Burnham's help, rekindling memories from her past. Admiral Cornwell questions Lorca's tactics.

As the U.S.S. Discovery crew attempts to let loose at a party, an unwelcome visitor comes aboard bringing about a problematic and twisted sequence of events.

The U.S.S. Discovery is tasked with a high priority mission to planet Pahvo and learn the science behind the Klingon's cloaking technology.

Bypassing Starfleet's orders, Lorca uses the U.S.S. Discovery crew's ultimate asset, the ship itself, in an effort to end the war with the Klingons once and for all.

While in unfamiliar territory, the U.S.S. Discovery crew is forced to get creative in their next efforts to survive opposing and unprecedented forces and return home.

The crew continues their guise, and Burnham is ordered on a merciless mission to end the resistance in hopes of returning home. Meanwhile, Tilly works on restoring Stamets’ neurofunction.

Burnham heads to the ISS Charon with a special "gift" for the Emperor. With the help of an unexpected source, Stamets gains clarity while trapped inside the mycelial network. Saru asks for L'Rell's help.

Lorca plans to move forward with a coup against the Emperor, propelling Burnham to make a quick decision to save not only herself, but the U.S.S. Discovery.

Burnham and the U.S.S. Discovery crew are faced with the harsh reality of the war during their absence. In order to move forward, Starfleet must use unconventional tactics and sources to take their next action against the Klingons.

With Georgiou at the helm of the plan to end the Klingon war once and for all, the U.S.S. Discovery crew struggles to fathom and tolerate her hostile tactics. Memories of past hardships are rekindled within Burnham.

Mirror Georgiou receives a surprise invitation from Leland to join a mysterious organization.

Interviews with producers, writers and stars of Star Trek: Discovery about casting of the debut season.

The cast, writers and producers comment on the overall Klingon War arc and many individual episodes.

Gersha Phillips talks about creating the uniform for the show. The cast and other member of the costume department comment on the costumes (including the Klingon costumes).

The producers and cast speak to the characterization of the show being about the life journey of Michael Burnham, a woman.

The crew talk about the work to make food that can be use for the various scenes where the cast is eating.

All about creating the phaser, the tricorder and the communicator. There is also discussion about the weapons used by the Klingons and all the props used in the Mirror Universe.

Creating the CG characters and scenes for the show. Many different shots showing designers, animatics and the final product. Alex Kurtzman comments on how this work has to match the best seen in contemporary movies. Many shots about green screen work done on Stage 16 at Paramount Studios for the pilot episode.

Todd Cherniawsky discusses the challenge of keeping canon, yet doing something new and fresh in creating the ships for use in the show. He says that the designs were influenced by large navel vessels (e.g. submarines and surface ships). Taking over for Todd Cherniawsky, Tamara Deverell did production design for the second half of season one and talks about designing the Orion Embassy/Encampment on the Klingon home world.

A discussion with executive producer Alex Kurtzman and composer Jeff Russo about creating the Discovery theme and score for the show.

A behind-the-scenes look at the makeup and prosthetics department on Star Trek: Discovery, as they both modernize well-known Star Trek species like the Klingons, Vulcans and the Andorians, and bring to life a new species, the Kelpiens.

After answering a distress signal from the U.S.S. Enterprise, the U.S.S. Discovery welcomes aboard Captain Christopher Pike and begins a new mission to investigate the meaning behind seven mysterious red signals. Michael Burnham grapples with her past growing up on Vulcan with her foster parents and brother Spock.

A new signal appears, prompting Stamets' emotional return to the mycelial network and leading Burnham, Pike and Owosekun to a pre-warp planet, where they face a complex ethical dilemma. Tilly's overeagerness lands her in trouble but when the planet - and Discovery's landing party - are threatened, her curiosity may be the one thing that can save them.

A surprise visitor to the U.S.S. Discovery brings shocking news about Spock and dredges up past regrets for Burnham. Following the asteroid incident, Tilly struggles to keep a grip on her reality. L'Rell's authority on Qo'noS is threatened.

A mysterious sphere threatens the U.S.S. Discovery even as May, in her original form, implements a plan that puts Tilly's life in danger. Saru and Burnham's bond grows when Saru is forced to acknowledge a deeply unsettling Kelpien truth. Pike receives new intel on Spock from a loyal friend.

Burnham and the crew navigate a dangerous alien landscape in a race against time to save Tilly's life, but Stamets is not at all prepared for what they find in the process. Section 31 is assigned to help track down Spock, much to Pike's dismay.

When a new signal appears over Saru's home planet, Burnham, Saru and the crew embark on a perilous mission that puts Saru in danger and raises questions about the Red Angel's intentions. Hugh struggles to come to terms with his new reality.

Burnham goes to Vulcan in search of Spock, where she unearths surprising family secrets. In researching what is left of the Red Angel's signal over Kaminar, Pike and Tyler end up in battle with time itself. Georgiou has a few tricks up her sleeve for Leland and Section 31.

Spock and Burnham head to Talos IV, where the process of healing Spock forces the siblings to confront their troubled past. Stamets desperately tries to reconnect with Hugh, while Tyler struggles to shed the crew's suspicions of him due to his past as Voq.

When the Discovery crew infiltrates Section 31's headquarters, suspicions arise that the crew may have a traitor in their midst. Burnham tries to help Spock but her efforts don't go as planned.

Burnham is stunned when she learns her ties to Section 31 run deeper than she ever fathomed. Armed with the identity of the Red Angel, the U.S.S. Discovery goes to work on its most critical mission to date.

Burnham receives the reunion she's been longing for, but it doesn't go quite as she imagined. Georgiou and Tyler sense a disturbing change in Leland.

A fourth signal leads the U.S.S. Discovery to a world where Pike is forced to make a life-changing choice. Burnham and Spock investigate a Section 31 ship gone rogue, leading to a discovery with catastrophic consequences.

When the U.S.S. Discovery's crucial mission does not go according to plan, Burnham realizes what must ultimately be done. The crew prepares for the battle of a lifetime as Leland's Control ships get closer.

The U.S.S. Discovery battles against Control in a fight not only for their lives but for the future, with a little help from some unexpected friends. Spock and Burnham discern vital new connections between the red signals while Burnham faces one of life’s harshest truths: the right decisions are often the hardest to make.

On a show where no location exists in our world, the production and lighting design teams must create every space. Look at the locations and spaces created for Season Two.

Propmaster Mario Moreira takes fans through the world of Discovery props.

Each species has its own fashion style dictated by both culture and physical attributes. Gersha Phillips and her team discuss how costumes inform a character and how they create a spectacular array of clothing, uniforms and armor for every kind of species.

Producers, craftsmen and actors discuss the design process, the implementation and the performance required to bring characters to life.

There are some shots that simply can't be done practically when you are set in space. The VFX team, headed by Jason Zimmerman, pushes the envelope every week to create amazing computer graphics to give fans a realistic feel of space.

A look at the adventures and plot twists encountered in Season 2 by the crew of the Discovery.

Captain Pike shepherds U.S.S. Discovery through Season Two, but must return to his original command on the U.S.S. Enterprise. The production designer, builders, actors and producers discuss the daunting task of reviving the iconic ship's bridge.

A major plot point of the season is the Red Angel. Go behind-the- scenes with producers, directors and Sonequa Martin-Green, along with the craftspeople that created it and made it come to life.

We don't have an overview translated in English. Help us expand our database by adding one.

Fans can also catch a one-on-one discussion with makeup artist James McKinnon and L'Rell actress, Mary Chieffo.

Follow the real life Discovery crew through preparation, shooting and posting the amazing Season Two finale. A true in-depth look at the many talents that come together to bring Discovery to life.

Jump to the future with the crew of the Discovery as they discuss the new adventures with writers and producers, and dive into how their visions were realized by the cast, sets, costumes and props.

Featuring interviews with cast and stunt coordinator Christopher McGuire, fans get a behind-the-scenes look at the creation of the stunts from rehearsal to the expertise required to make them safe, believable and executed to perfection.

Sonequa Martin-Green takes fans on her season-long journey as Michael Burnham with her personal record of the season and this beloved character.

Traditionally the man behind the mask in Discovery, Kenneth Mitchell is unveiled as Aurellio in the third season. Featuring cast and crew interviews, this emotional and intimate look touches on Kenneth's life with ALS. Discussed on camera for the first time, the featurette highlights how Kenneth's wheelchair was included for his on-screen character, his own take on the various roles he played in Discovery and what those roles mean to the show.

Fans have been intrigued by Starship Discovery's Bridge Crew for three seasons. Now, they can immerse themselves in all things crew-related in this behind-the-scenes look showcasing the characters and actors who bring them to life each week.

Showrunner Michelle Paradise provides a personal log about shooting the beginning of season three in Iceland.

We don't have an overview translated in English. Help us expand our database by adding one.

A quick two-minute bonus that shows the new season 3 on-set tradition of doing 15 claps to get the team amped up started with two of the camera crew; camera dolly grip James Parsons introduces the segment.

The stress and difficulties and challenges of shooting a major TV production during the pandemic.

A comprehensive look at sets, production design, and production value with an emphasis on pushing the boundaries of new technologies to facilitate the show creation process.

A comprehensive look at story, arc, character evolutions and journeys, and more.

Cast and crew reflect on the show's lead role and the part's demands on the screen and on the set. It also looks at Martin-Green's performance.

We don't have an overview translated in English. Help us expand our database by adding one.

Focuses on the production departments that make Discovery come to life. Co-showrunner Michele Paradise talks about the pressure of making a high quality show and how it comes down to teamwork to pull off a show.

A tribute to Olatunde Osunsanmi. Known to most as 'Tunde, he's been a driving force on set in Toronto as the on-site executive producer and in-house director for Discovery. He's by all accounts a very nice guy, and he really took the role of being the "producer on the ground" for all 5 seasons with a lot of heart and dedication to the production.

Sonequa Martin-Green takes fans through her personal journey as Captain Michael Burnham. This entry is particularly bittersweet since season 5 was the last season, and includes reflection on her entire time on Discovery plus a visit behind the scenes of filming the epilogue, where Sonequa Martin-Green and David Ajala in old age makeup meet Sawandi Wilson, the actor who will be playing their adult son, for the first time in the makeup trailer.

The cast and showrunners discuss the characters' growth over all 5 seasons.

Writers, producers, directors, and cast are interviewed about the making of the 10 episodes as well and the epilogue, once they found out the fifth season would be the last.

We don't have an overview translated in English. Help us expand our database by adding one.