Tate gets the ultimate ultimatum from his frustrated travel agent turned talent agent, Margot Mullen. Book something or "I'm going to have to let you go." Does Flatline Inc. offer a solution he can live with? Alex might have something to say about that. With a company who's slogan is "Getting Actors Work, Even if it Kills Them," what could go wrong?

Now living as the undead, Tate gets a talent manager. Alex still struggles with her visibility in Hollywood and continues to haunt Tate.

Alex discovers a new skill that changes her career. Hunter's too. Tate and Alex hang out at the diner. Roberta the waitress is not pleased. Ever.