Lena must pass as a modern day teen if she is to remain hidden from The Time Collectors. She finds it difficult, as she must compete with the current slang, technology, and the interactions between boys and girls.

When the real Elena Grande arrives, Lena is unmasked as an imposter, but luckily Henri’s father, Victor, shows up just in time. Impressed by Lena superior talent, the Directrice of the school agrees to keep her on.

Lena’s super excited to be a “Little Mother” to one of the younger students, but soon realizes that she’ll have to go head-to-head with Thea to compete for the spot.

A scene study about a love triangle hits home when, Lena's cast as the ethereal sprite and love interest to Max. Leaving Thea seething as the downtrodden wife, until Lena’s feelings for Max cause Gabrielle to switch roles.

The girls’ class has a ballet team competition and this time Thea, Ines, and Lena are on the same team. Lena wants to win this – and sides with Thea’s ideas over Ines. This starts a rift between the Lena and Ines.

It’s auditions for the mid-season show. Lena knows she might not get this opportunity again, plans to work hard and nail it. That is until she gets paired with Jeff, a talented but undisciplined dancer.

With the completion of the port-a-portal, the Time Collectors make their way to 2018 to grab Lena and the timepiece. Hoping to rescue Lena, Henri races through after them, looking for her himself.

Just as Lena's about to go out on stage for the big mid-season performance, Thea surprises her with a letter from Henri, telling her to meet him…NOW at a portal. Lena must make a mad dash to get to Henri in time.

Having missed joining Henri, Lena has to come back to the school to face the music. The other students need to rally around Lena, knowing it’s going to take more than an apology for her to stay.

After being benched by Gabrielle, Lena is determined to prove she has what it takes to make company and rallies the troops to perform a dance number in the style of Baroque, a style she knows all to well.

The BLOK gets an invitation to participate in an underground dance competition and everyone is psyched. They plan to do their baroque/hip-hop dance fusion until the other team suddenly performs their exact choreography.

Lena pushes Max to confront his father and make peace. When that doesn’t work, Lena takes Max to an underprivileged youth center with the intent to have Max teach a dance lesson.

Word is out that Lena and Max kissed so Lena takes it upon herself to talk it out with Thea. She expects the worst – tears, fighting, jealousy – but is pleasantly surprised when she gets the exact opposite.

On a class trip to the museum, Lena gets the shock of her life when she comes face to face with the Grisky family portrait and discovers her mother wearing the exact same necklace that Lena lost to the Time Collectors.

This is the biggest performance of the year, and Lena tries her best to focus, but she’s distracted and her mind is elsewhere. Lena vows to focus, after all, Gabrielle is watching her every move.

Lena tries to pack her bag but her emotions are all over the place. She needs to be ready for when the portal opens but she also has a BLOK challenge and a gala performance to prepare for.

It’s performance day. It’s portal day. Lena’s a nervous wreck. She’s worried about the fallout from the BLOK, she’s nervous about seeing Henri, she’s feeling a hundred emotions at once.

Resuming after the season one cliffhanger, Lena is stuck in the present with Henri, while her modern-day nemesis Thea has been thrown back in time to 1905.

In the South of France, the crew have an opportunity to audition for the CJ company's production, but dance partner drama gets in the way.

Lena is challenged by a younger dancer named Romy, who is hoping to train with the First Division.