11-year-old Alfonso, heir of Don Quixote, and his three imaginary musical rabbits are joined by Pancho and Victoria to save their beloved town of La Mancha from a huge storm, created by an evil corporation seeking to own the land.
Toby, a cynical film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth.
Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.
Adapted from the work of Miguel de Cervantes, this is the story of a hidalgo, fanatic for chivalry novels, who loses his sanity and believing to be a knight named Don Quixote de La Mancha, decides to go on imaginary adventures along with his friend, the simple farmer Sancho Panza, who becomes his squire. On their journeys, they rescue dames in distress in honorable acts and fight giants among other perils, with Don longing to be with the love of his life, lady Dulcinea, and Sancho waiting to be rewarded with an island where he's about to become a governor.
The old hidalgo Don Alonso Quijano, maddened by the excessive reading of books on chivalry and determined to become a famous and heroic knight-errant, leaves his village and sets out on the road in search of adventure, accompanied by his faithful friend Sancho Panza.
Don Quixote, accompanied by Sancho Panza, wander the roads of Spain protecting the weak and doing good deeds in the name of his beloved Dulcinea. (Orson Welles' Don Quixote was filmed between 1957 and 1972, left unfinished at his death in 1985, and was eventually edited by Jesús Franco and released in 1992.)
An epic journey through Don Quixote's troubled mind, from which five paths to the unknown are opened: to reason, to freedom, to love, to friendship, to adventure; although only three destinations await at the end of an imaginary and audacious existence: the narrative of the adventurous life of Cervantes; the survival of a legendary novel in these heathen times, when the one-armed gentleman is nothing but dust and bones; the memory of the living, writers and scholars, where both the tormented captive and the insane hero, are immortals beings and will be forever.
The story of Dulcinea, the love of Don Quixote, who was only a normal girl named Aldonza that is suddenly involved by the legend of the brave and ingenous gentleman.
Don Quixote and his servant Sancho Panza set out to have a chivalrous adventure. They meet Kitri and Basilio, a young couple who cannot marry because Kitri's father is determined to marry her off to the wealthy Gamache. Don Quixote decides to intervene. It was on stage 15 February—4 April 2019 as part of the Winter 2018/19 season.
Inspired by heroic stories of brave knights, Don Quixote of La Mancha and his faithful servant Sancho Panza set out on an adventure to meet his ideal woman, Dulcinea. Cervantes’ hero comes to life in the Bolshoi's critically acclaimed staging of this exalting performance. With panache and sparkling technique, principal dancers Ekaterina Krysanova and Semyon Chudin lead the spectacular cast of toreadors, flamenco dancers, gypsies, and dryads in virtuosic dancing that is quintessential Bolshoi. Captured live on April 10, 2016
A new vision of the Knight of the sad figure, which lives obsessed by the chivalry and its codes of honor. Accompanied by his unusual squire Sancho Panza, Don Quixote recalls some of the adventures they've shared.
After an old soldier named Miguel de Cervantes (1547-1616) wrote the adventures of Don Quixote and Sancho Panza, the knight and his squire have become very popular. When he learns that the Turkish comes along the Mediterranean coast with a powerful army, Don Quixote will undertake, again opposed by his niece and his housekeeper, a new adventure that begins in La Mancha and ends on the coast.
Inflamed by his readings of chivalric novels, Don Quixote, a knight with a sad face, accompanied by Sancho Panza, a peasant steeped in common sense, decides to set off across the world in search of improbable adventures.
Carlos Acosta's first venture directing one of ballet's 19th century classics was eagerly anticipated, as was his own starring role in the production (as Basilio), opposite the Argentinian Royal Ballet principal Marianella Nuñez (Kitri). Still built on Petipa's original choreography, Acosta's clear dramatic structure and vivid stage action gave the ‘boy gets girl despite her father’ story a more convincing air than usual, with Don Quixote's parallel obsession with Dulcinea-Kitri coherently woven into the plot.
London, 1968. Director Alphonse attempts to complete his greatest cinematic work yet, entitled “The Death of Don Quixote.” But his aging star, Patrick, is seriously ill, so it is unclear what will die first: his vision, Patrick or Don Quixote.
Sir Alec Guiness stars with Leo McKern in the story of a friendship between a Catholic priest and a Communist Mayor. Together they travel from their remote village to Madrid and back exploring their friendship, the demands of belief and constancy of faith. This lavish production filmed entirely on location captures the wit, warmth, and vitality that make the original novel by Graham Greene a unique work of literature.
How Don Quixote de la Mancha, the immortal character created by Miguel de Cervantes in 1605, has been depicted in cinema, television, cartoons, theater, opera, ballet and other artistic disciplines. An adventure that began more than four hundred years ago in the pages of a book and is far from coming to an end.
Trusting in fate, Don Quixote and Sancho pursue their travels in search of adventure day and night. They ride through fields, talking about subjects as varied as spirituality, chivalry and daily life. A growing bond of friendship unites them.