It's Christmastime, and the Griswolds are preparing for a family seasonal celebration. But things never run smoothly for Clark, his wife Ellen, and their two kids. Clark's continual bad luck is worsened by his obnoxious family guests, but he manages to keep going, knowing that his Christmas bonus is due soon.
Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.
The self-portrait of the director's stuttering and his struggles with it.
With the aid of a layered construction of the image, Takashi has managed to capture the different reflections of light on the surface of water. The acoustic-noise-like music and the dancing particles of light move like swarms of microorganisms and in this way slowly cover the entire screen.
A road movie, buddy picture and romance rolled into one, Low Lights pivots on a love triangle that evolves when two men and a woman take to ritual night driving. Transforming cold urban space into something charged with excitement, the drives provide the hope the trio so desperately needs.
After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.
Nocturne evokes one of the most magnificent films of Brakhage: Fire of Waters. It takes place in a suburb populated by children playing and indistinct parental figures. The narrative plot might suggest that it was a boy's night-time plays; The flashes of a torch in a dark room evoke fights and aerial bombardments. An impression of hostility and a feeling of horror interferes in all the movements ... The fantasy is tinged with nightmare, a storm of repressed emotions hides behind the calm facade of this house. In Nocturne, found footage blends so well with the threat that its perception produces a discharge from the unconscious.
Screams of a previous discussion echo in a silent room while two women try avoid demonstrating their real and visceral emotions.
Short film by Paul Clipson.
Experimental short film of colors and lights
A series of 3 episodes showcasing alternative bands including: Equinox, Scandinavian Fruit and Bellache. Directed by Sid Forbes.
In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.
Gabriel decides to go back to his home town. In the way, he meets "El Signo del Caos".
Astract stop-motion short film using "lightning doodles" by Tochka.
Experimental short film of colors and lights. Silence.