We are a conversation is a 2014 documentary directed by Alexis karpouzos and Spyros rasidakis and written by Alexis karpouzos exploring the unity of humanity, featuring poets from around the world, whose lives have been dedicated to explore the mysteries of life and existence.
Most of us think of death as something clear-cut, and that medical science has it neatly figured out. This feature documentary explodes such assumptions through its exploration of a phenomenon that blurs life and death to an unprecedented degree. In what Tibetan Buddhists call tukdam, advanced meditators die in a consciously controlled manner. Though dead according to our biomedical standards, they often stay sitting upright in meditation; remarkably, their bodies remain fresh and lifelike, without signs of decay for days, sometimes weeks after clinical death. Following ground-breaking scientific research into tukdam and taking us into intimate death stories of Tibetan meditators, the film juxtaposes scientific and Tibetan perspectives as it tries to unravel the mystery of tukdam.
Richard Beymer first met David Lynch when Lynch cast him as Ben Horne in the series Twin Peaks. Years later, Lynch saw one of Richard's documentaries on the founder of Transcendental Meditation, Maharishi Mahesh Yogi, and asked him to come to India to document a journey he was making tracing Maharishi's footsteps from one end of India to the other. This film is not just a record of their 10-day journey, it's also a rare and personal look at David Lynch "unplugged."
A three part meditation.
Irish director Donagh Coleman explores the extraordinary phenomenon of Tukdam, whereby some Tibetan Buddhist practitioners are able to forestall physical decay at the point of clinical death for days, even weeks, by entering a deep meditative state. Supported by His Holiness the Dalai Lama a group of leading scientists conduct groundbreaking research into the phenomenon, which challenges Western medical understanding of the line between life and death.
In a world of condescension and uncalled-for remarks, Nunt feels the urge to ingratiate herself with others—otherwise no one will acknowledge or befriend her. With extreme compulsion rather than passion, she’s doing so many things at once to please everybody, utterly unaware of an imminent loss that will shatter all of her wishes.