Janie lives to dance and will dance anywhere, even stripping in a burlesque house. Tod Newton, the rich playboy, discovers her there and helps her get a job in a real Broadway musical being directed by Patch. Tod thinks he can get what he wants from Janie, Patch thinks Janie is using her charms rather than talent to get to the top, and Janie thinks Patch is the greatest. Steve, the stage manager, has the Three Stooges helping him manage all the show girls. Fred Astaire and Nelson Eddy make appearances as famous Broadway personalities.
"Roseland" is made up of three stories, sometimes connecting, all set in the famed New York City dance palace, and all having the same theme: finding the right dance partner.
Alvin Ailey was a visionary artist who found salvation through dance. Told in his own words and through the creation of a dance inspired by his life, this immersive portrait follows a man who, when confronted by a world that refused to embrace him, determined to build one that would.
HipHop as a language and an outlet for young people: The film follows the youngest class members of a dance academy on their way to becoming professional dancers. Many of the students come from the socially deprived areas of Paris. Accompanied by a pulsating, dancing camera that pulls the audience right into the action, the film negotiates themes such as origins, pains, dreams and hopes.
A schoolgirl and her older girlfriend seduce the teacher in order to improve their grades.
Loïe Fuller, stage name of Marie Louise Fuller: the American actress and dancer trained in burlesque, circuses and variety shows who, in the 1890s, signed by the Folies Bergère of Paris, became a star. She was portrayed by Toulouse-Lautrec, loved by the symbolists, the inspiration for Art Nouveau, in her shows she combined dance, spirals of fabric and light, reflected from behind or from below through the glass floor that she had created. She transformed into the "Fairy of Light", was taken up (especially in her Serpentine Dance) by Georges Méliès and Alice Guy and influenced René Clair's early films.
Emmanuel is in his twenties and studies at the dance conservatory. Between his administrative and financial setbacks and the fiasco of an audition that could have simplified everything, Emmanuel goes through a difficult day. But, by confronting some obstacles, he confronts himself and realizes how far he has come. Emmanuel has become a young adult.
Originating in Curitiba in 2013 and spreading to Portugal, Spain, Mexico and Brazil, “Basket das Excluídas” consists of an LGBTQIA+ group gathering to play basketball on a public court in the city. They vogue and resist with their bodies around the city, challenging norms and celebrating diversity while engaging in a game that expresses identity and a form of resistance.
Rumba Rules, New Genealogies offers an enjoyable, rough-edged glimpse into the music scene of Kinshasa, with impromptu shots drawing the viewer into jam sessions on plastic chairs, and the quest for perfection at the studio.
Stéphane Lissner, director of the Paris Opera, entrusts the staging of the opera-ballet Les Indes galantes to the visual artist Clément Cogitore. Based on the experience of his short film Les Indes galantes, the artist updates Jean-Philippe Rameau's baroque masterpiece (1735) by bringing together lyric song and urban dance. The choreography is entrusted to Bintou Dembélé who supervises dancers from krump, popping, voguing or even experimental hip hop. From rehearsals to the Premiere, Philippe Béziat films the meeting of urban dancers with the lyric institution and invites the spectator to share a human and artistic experience.