From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.
A group of kids grow up on the short, wrong (east) side of the Sonnenallee in Berlin, right next to one of the few border crossings between East and West reserved for German citizens. The antics of these kids, their families, of the "West German" friends and relatives who come to visit, and of the East German border guards, all serve to illustrate the absurdity of everyday life on the Sonnenallee, and therefore throughout the former East Germany.
In the motley final-year class 13e at Kepler School in Neukölln, children who have moved to the western part of the city legally as well as border crossers who live in East Berlin but commute to the West every day come together for lessons every day. After the school-leavers had completed their written exams in July 1961, they faced their oral exams after the summer vacation in September. But when the Berlin Wall was built in August, Berlin was divided and torn apart from one day to the next - including class 13e. The students from the eastern part of the city quickly have to make a difficult decision: should they attempt to cross the border or throw their dreams of the future to the wind?
The Dijon Story dives with unexpected consequences into the life of four Finnish hipsters in Berlin.
The three siblings Hassan, Lial and Maradona are successfull dancers and musicians. But their family is in danger of being deported out of Germany. The teenagers plan to use their artistic talents to save the family. However the pressure has put a strain on their relationships, and the way to success is long and uncertain.
A somewhat impressionist, at times even slightly surreal miniature about a student (Werner Stocker in a splendid performance) who, out of financial difficulties, starts out as pool attendant at an open air swimming pool in Berlin's district of Neukölln. Escaping from his unpleasant landlord and his lover Patrizia (a very young Martina Gedeck), he soon starts to live at the baths, and as swimmers disappear and the baths are closed for the winter, he turns the grounds into his own, perfect refuge from civilisation and social pressure, becoming increasingly detached from reality. What may sound like an annoyingly gimmicky premise is executed here playfully, yet with admirable simplicity and a subtle, unpretentious poetic sensibility that one would wish for more often in contemporary German cinema.
Thies lives in Berlin with his three-year-old daughter Ella and his girlfriend Isa. He has been suffering from depression for quite some time and has tried all kinds of treatments. When Isa is away for a few days for work and Thies has to look after his daughter, he is no longer able to fight his depression. He finally takes his daughter to his in-laws and faces up to his anxiety.
Flo und sein Kumpel Hotte arbeiten in der mies gehenden Neuköllner Videothek Video König. Kein Wunder, denn Hotte glänzt mit null Filmwissen, und Flo muss mit damit fertig werden, von seiner Freundin verlassen worden zu sein. Die beiden Unglücksvögel lassen sich vom Kiez-Gauner Bernhardt abzocken, von Schlägern die Fresse polieren und Inkasso-Unternehmen drangsalieren. Ein Glück, dass für Flo wenigstens wieder die Liebe in Form von Nachbarin Ramona lacht, auch wenn diese möglicherweise eine Prostituierte ist.
A Neukölln family of choice is pursuing its vision of creating a magical cultural and community garden above the rooftops of Berlin: the Klunkerkranich.