The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.
When all Broadway shows are shut down during the Depression, a trio of desperate showgirls scheme to bilk a repugnant high society man of his money to keep their show going.
Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. Sally purchases a horse, she used to train when her parents had a farm before the depression and with to ex-vaudevillians, Sonny Ledford and Peter Trott she trains it to win a race, providing the money Steve needs for his show.
After one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before they strike again.
The girls and their pet monkey create havoc on board a train carrying a traveling Broadway troupe.
The partners of stage-producer J. J. Hobart gamble away the money for his new show. They enlist a gold-digging chorus girl to help get it back by conning an insurance company. But they don’t count on the persistence of insurance man Rosmer Peck and his secretary Norma Perry.
Bambi was born Jean-Pierre Pruvot in a tiny Algerian village in 1935. Even as a child, she refused to meet the expectations of her extended family, choosing instead to find a way to become the woman she always knew herself to be. A Cabaret Carrousel de Paris performance in Algiers in the 1950s proved to be all the encouragement she needed to emigrate to the French capital, assume the stage name of ‘Bambi’ and lead the life she longed for on the music-hall stages.
Wanda Seux, one of Mexico’s most emblematic actresses and showgirls during the 80’s, has fallen into an abyss, dragged down by the death of her mother, her solitude, and the passage of time. Wanda, however, struggles every day to rise from that vacuum and walk through that dark tunnel into the light of plenitude.
No sick days. Mandatory diets. Boob jobs. Endless rehearsals. It's what showgirls do for love--and a steady job--in the Las Vegas spotlight. 'A Chorus Line' meets 'Real Sex' in this sexy yet poignant documentary that follows the mounting of a new all-female musical revue in Las Vegas--from auditions through opening night--over the course of ten pressure-packed weeks.
