In a near future when environmental havoc is causing food shortages and compelling the government to protect its organized crop system by deploying sentinel drones, a handful of locals discover a sinister connection between sick farmland inhabitants and the tech that’s meant to be protect them.
A pilot battles to save his family and the planet after an experiment for unlimited energy goes wrong.
Sonia Kennebeck takes on the controversial tactic of drone warfare, and demands accountability through the personal accounts—recollections, traumas, and responses—of three American military veterans whose lives have been shaken by the roles they played in this controversial method of attack.
When their quiet beach town is invaded by a mysterious threat, five kids - a gamer, comic book geek, inventor, skater and martial artist - must band together and use an arsenal of homemade gadgets to fight back.
There only 12% human population left on earth and remaining is getting killed by a half human half robot Machine B4.
As societies grapple with the escalating concern of environmental pollution, the imperative for collective consciousness and concerted action becomes ever more pronounced. The impact of human activities on the environment demands heightened awareness and proactive measures. In this context, the utilization of First Person View (FPV) drone technology emerges as a compelling and immersive tool for capturing the essence of our surroundings. The allure of FPV drone footage lies in its ability to provide a unique and genuine perspective of various landscapes, ranging from pristine beaches to meandering valleys and flowing river currents. This immersive visual medium not only serves as a means of documentation but also as a potent catalyst for instigating dialogue and inspiring environmental stewardship.
“Fear AI!” – “ warns Elon Musk back in 2014, joining other opinion leaders like Steve Wozniak, Noam Chomsky and Stephen Hawking in backing a petition against the development of autonomous weapons. As Vladimir Putin stated in 2017, “Whoever leads in AI, rules the world.”
the film „mandà in lunga“ follows a journey from Val Poschiavo, a valley in the Italian-speaking part of the Swiss canton of Grisons, up to the highest point of the Morteratsch Glacier, the largest glacier in the Bernina Range. Shot entirely on 16mm film and edited in-camera, the film captures the changing landscapes and atmospheric shifts along the way. The journey is musically accompanied by the organ drones and violin sounds of Laura and Luzius Schuler.