A real estate agent leaves behind his beautiful wife to go to Transylvania to visit the mysterious Count Dracula and formalize the purchase of a property in Wismar.
A family with buried secrets reunite at a farmhouse after two decades to pay for their past sins.
A beautifully colorful documentary about the Kalbeliya of Northern India.
Another story of Gırgıriye Neighbourhood. Güllü, her mother Sabahat, her uncle Bekir, Bayram, her father Emin, her sister Sevim, and her aunt Rabiş. Sabahat has completely lost her mind over money. They pool their earnings in a shared purse, and if anyone takes even three cents from it, she will gouge out their eyes. However, once the drums and flutes start playing, they stop fighting and start dancing... The Gypsy women are very troubled by their husbands... Bayram, Güllü's husband, is useless except for chasing after women, Sabahat's husband Münir is useless except for drinking himself into a stupor in taverns, and Bekir is useless except for gambling away their money. Güllü also has her share of admirers. Especially the boss, Deli Ömer, is deeply infatuated with her. One day, Sabahat loses her temper and kicks Münir, Bayram, Sevim, and Rabiş out of the house.
A group of gypsies vow vengeance on a runaway who murdered one of their own. Lust and intrigue run throughout the story about the mysterious and wild life of the wandering gypsies.
Exploiting racial hatred, a group of thieves start robbing houses disguised as local gypsies.
When a wealthy Turkish aristocrat arrives in a humble Italian town, the married women roll their eyes in delight, their rival lovers lose out, and the husbands rage with jealousy. These may be silly clichés, but they are the subject of IL TURCO IN ITALIA and the composer plays with them – quite deliberately. He knows that he is putting archetypes of Italian comedy on stage with figures such as the exotic lady-killer Selim, the young woman Fiorilla, who is chained to the stove at home, but adventurous, and her husband Geronio, who is ridiculous because he is much too old – and relishes the ironic exaggeration. Franz Welser-Most conducts the Zurich Opera House Chorus and Orchestra in this performance of Rossini's opera buffa.
The young Count Martin von Tandenskiöld who has returned from the war is forced into a battle with a Russian colonel after he harasses his bride Karin. Chased by the Cossacks Martin escapes and joins the old wanderer. On the way Martin encounters adventures and beautiful women.
Sahande, a Tartar girl placed on the block to be sold, is bought by Costa, a Gypsy chief who outbids Sahande's fiancé, Sender. Costa marries the infuriated Sahande but agrees to give her 10 days in which either to return his love or have Sender fight him.
A bear-leading gypsy from the slums struggles to get back his sweetheart who works for a pavilion runner in the city, until she feels a wistful longing for where she thinks she is belong to and turns recalcitrant against the pavilion runner.
A foreign visitor to Bulgaria finds himself accidentally involved in a chase for a stray child. The latter seriously injures him, but will also try in his own way to save him.