Irgendwo in der australischen Wüste. Zwei uralte Stämme der Aborigines bewahren hier ihre Legenden, ihre Lieder und ihre Gesetze der Schöpfung. Es ist für sie heiliger Boden - der Platz, an dem die grünen Ameisen träumen und den Menschen das Feuer gebracht haben. Doch dieser heilige Boden soll von der Uran Mining Company zerstört werden. Die Firma plant, den kostbaren Rohstoff dort abzubauen und nimmt deswegen Erdräumungsarbeiten vor. Die Ureinwohner geraten in Konflikt mit den modernen Gesetzen Australiens und den Interessen der Wirtschaft. Ein Aufstand aus der Welt der Träume gegen eine ungeduldige Zivilisation, die alles will und nichts begriffen hat. Zitat

"A documentary film which looks at the issue of British Columbia Native land claims and how the aboriginals link their culture to the land, which has been stolen by the dominant white culture of North America. In the film, the argument is presented that the lands have been taken from the Natives without any clear treaty agreements and how attempts had been made to wipe out Native culture through the Residential School system. " Produced by the Union of BC Indian Chiefs in 1975.

This Peabody Award-winning documentary from New Mexico PBS looks at the European arrival in the Americas from the perspective of the Pueblo Peoples.

In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, sets the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness.

In this era of “reconciliation”, Indigenous land is still being taken at gunpoint. Unist’ot’en Camp, Gidimt’en checkpoint and the larger Wet’suwet’en Nation are standing up to the Canadian government and corporations who continue colonial violence against Indigenous people. The Unist’ot’en Camp has been a beacon of resistance for nearly 10 years. It is a healing space for Indigenous people and settlers alike, and an active example of decolonization. The violence, environmental destruction, and disregard for human rights following TC Energy (formerly TransCanada) / Coastal GasLink’s interim injunction has been devastating to bear, but this fight is far from over.

In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.

Mauri (life principle, life force, vital essence inherent in all living things) The film is an intimate, visually stunning testament to a land and a people who have survived removal, exploitation and colonization — and to the healing ways that are part of the Māori ancestral knowledge. It juxtaposes the enduring trauma of colonialism with the resilience offered through Māori ancestral healing traditions.

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

Während das Meereis zwischen Kanada und Grönland schmilzt, sieht die Außenwelt beispiellose Möglichkeiten. Öl- und Gasvorkommen, schnellere Schifffahrtsrouten, Tourismus und Fischerei bieten finanzielle Anreize, die neu erschlossenen Gewässer auszubeuten. Aber für mehr als 100.000 Inuit, die in der Arktis, auf und um den zugefrorenen Ozean leben, steht eine ganze Lebensweise auf dem Spiel. Die Entwicklung hier droht das Gleichgewicht zwischen ihren Gemeinschaften, ihrem Land und ihrer Tierwelt zu stören, wodurch die Zukunft dieser Region und ihrer Kultur zunehmend ungewiss wird. Unter der Regie von Scott Ressler und Executive Producer Dr. Enric Sala, National Geographic Explorer-in-Residence und Gründer von National Geographic Pristine Seas, erzählt THE LAST ICE die Geschichte von Inuit-Gemeinden, die für den Schutz der schnell verschwindenden Arktis kämpfen, die ihre Heimat war seit Jahrhunderten.

A jailed activist is bailed out by her brother, who happens to be involved with the very land development she was protesting.

The video documentary "A Struggle to Remember: Fighting for Our Families" puts faces and narratives to the story of the struggle for family leave in Canada. The 20-minute film shows how it became accepted that women be able to return to their jobs after maternity leave and how men and women gained real and enforceable work-life balance provisions.

Personal accounts from the Alta actions in the years 1979 to 1981. Large police forces were deployed against the demonstrators. The dispute over the Alta river began as an environmental issue, but became a major turning point for the Sámi people's struggle for equal rights in Norway.

Ompung Putra Boru, a sixties indigenous Batak woman from Humbang Hasundutan, North Sumatra, retraces her life stories through photographs that interweave her past and present as a wife, mother, healer and indigenous land defender in two neighboring villages. Her multi-layered stories are juxtaposed with visual records of everyday life in the two villages, where people’s living space is still increasingly threatened by a giant pulp expansion.

Promised Land is a social justice documentary that follows two tribes in the Pacific Northwest: the Duwamish and the Chinook, as they fight for the restoration of treaty rights they've long been denied. In following their story, the film examines a larger problem in the way that the government and society still looks at tribal sovereignty.

A documentary account by award-winning filmmaker John Ferry of the events that led up to the 1969 Native American occupation of Alcatraz Island as told by principal organizer, Adam Fortunate Eagle. The story unfolds through Fortunate Eagle's remembrances, archival newsreel footage and photographs.

This film follows the aftermath of the Oka crisis, which brought Indigenous rights into sharp focus. After the barricades came down, the Royal Commission on Aboriginal Peoples was created, and travelled to more than 100 communities and heard from more than 1,000 representatives. For two-and-a-half years, teams of Indigenous filmmakers followed the Commission on its journey.

Presents the history of the conflict between the Canadian government and the Kwakiutl Indians of the Northwest Pacific over the ritual of the Potlatch. Archival photographs and films, wax roll sound recordings, police reports, the original potlatch files, and correspondence of agents form the basis of the reconstruction of period events, while the film centres on a Potlatch given today by the Cranmer family of Alert Bay.

The 6 Guarani villages of Jaraguá, in São Paulo, fight for land rights, for human rights and for the preservation of nature. They suffer from the proximity to the city, which brings lack of resources, pollution of rivers and springs, racism, police violence, fires, lack of infrastructure and sanitation, among others. Unable to live like their ancestors, their millenary culture is lost as it merges with the urban culture.

In March, 1974, the Cree of the Mistassini area in northern Québec met to discuss their long-term future. After three hundred years of minimal contact with the white man, they had been offered 'compensation' by the government of Québec for the effects of the James Bay power project. But they decided that nothing, neither jobs nor money, meant more to them than their land. The film presents the issues under these headings: The Conflict, The Hunting Culture, The Schools, The Villages, The Fight for the Land.

A Sámi woman fights for her right to claim a tax deduction against the purchase of a dog. Why the Swedish authorities fail to recognize the dog's use as a reindeer herding tool versus a pet opens up a larger discussion about Indigenous rights and economic discrimination in this humorous takedown of the Swedish government's ignorance of Sámi culture.