When dad has to unexpectedly step in for mom to do his daughter Zuri’s hair before a big event, what seems like a simple task is anything but as these locks have a mind of their own!
African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.
An unwanted pregnancy triggers the journey into adulthood for Makenya, a Dominican-Haitian teenager who lives in the Batey, a community surrounded by sugarcane fields.
Come Back, Africa chronicles the life of Zachariah, a black South African living under the rule of the harsh apartheid government in 1959.
A young man in Oakland, California, wakes with a heavy heart and decides to take a walk through the neighborhood to the local barbershop.
An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.
A documentary, combining archival material and live interviews with Marcus Garvey, Jr., and others, which introduces the life and work of the pioneer Black nationalist leader Marcus Garvey.
A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons.
An experimental visual poem combining film, animation, photography, and archival footage inviting people to occupy the Black Body and examine the lived Black experience for a brief moment.
A man struggles with uniting different aspects of his identity. He finds some solace in a conversation with his cousins who experience similar challenges. Insights and advice are shared in the hope of connecting further with their black and queer identities. They will get there,‘Bi and by’.
Emily’s boyfriend has turned into a zombie overnight. She has successfully tied him to the bed frame with a phone charger, but not before he was able to bite her. With nothing to aid her other than a phone and a musical keyboard, a weak and tired Emily must figure out how to prevent herself becoming a zombie before it’s too late.
Nantali Indongo, the rapper of the group Nomadic Massive, has long refrained from using the word Bitch in the lyrics of the songs she sings. As an Afro-descendant and mother, she considers that this word’s purpose has always been to dehumanize the Black woman. However, at the junction of the Black Lives Matter and #MeToo movements, she decided for the f irst time to use the b-word as a cry from the heart in her song Time . Aware of the complexity posed by the trivialization of this word, she embarked on a “word movie” across the Americas to understand the origins of the word and its many connotations over time. Her journey allowed her to give a voice larger- than-life to Black women, so that they could themselves express their opinions on the word bitch.
Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.