In England, a group of space scientists led by Bernard Quatermass, who have developed plans for the first Moon colony, learn that a secret, ostensibly government-run, complex of identical design has been built in a remote part of England and is the focus of periodic falls of small, hollow "meteorites" originating in outer space. Quatermass determines to investigate and uncovers a terrifying extraterrestrial life form which has already begun action to take over the Earth.
Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.
In the 1920s, Tomas Baťa and his stepbrother Jan Antonín Baťa, entrepreneurs from Zlin, Czechoslovakia, began establishing new cities worldwide to expand their business. Over the next decades, about fifty towns were built on their unique social and architectural model, but only a few remain today. Our film explores the lives of people in these surviving “Bata cities”: Zlín in the Czech Republic, Bata-Borovo in Croatia, Batanagar in India, Bataypora in Brazil, and Batadorp in the Netherlands. Characters like Matea, Shona, Bé, Henrik, and Věra, despite their differences, are linked by their shared history. The film questions how the vision of a brilliant business dreamer has evolved nearly 100 years later.
The year is 1891. The director of MoDo, Frans Kempe, is about to build the largest and most modern sawmill in Europe and a complete ideal society after his own mind. The place he chooses is Norrbyskär, some skerries in the Baltic Sea outside the cost of Västerbotten in northern Sweden.
The experimental society with it's 1500 inhabitants and the large sawmill will live for almost 60 years.
Lee Anne Schmitt explores California's landscape and past to document the history of one-time boom towns built and abandoned by the industries that necessitated their creation. Sold as a limitless land expansive with free opportunity, California was actually, from its onset, fissured by the interwoven needs of private and public interests. Schmitt's film covers various locations through time, as the major industries of the early 20th century (mining, lumber, oil) give way to the military, eventually leading to multinational corporations, and the use of small towns as satellites for growing urban metropolises.
After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.