Ignacio, a disrespected cook at a Mexican monastery, can barely afford to feed the orphans who live there. Inspired by a local wrestling hero, he decides to moonlight as the not-so-famous Luchador "Nacho Libre" to earn money for the monastery -- not to mention the admiration of beautiful nun Sister Encarnación.

Based on the novel by Torahiko Tamiya.

A rising artist haunted by her own thoughts must confront the darkness within - or risk losing herself forever.

The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.

Ahmet is a young man struggling with inner conflicts and loneliness; while planning to end his life, a potted flower and his memories accompany him in his search for meaning. At the same time, Umay, reading a book that uncovers secrets about her mother's past, receives Ahmet's letter. This letter takes Umay on a profound journey of reflection and establishes an unexpected connection between two different lives.

When a man suspects betrayal, his quiet paranoia grows, suspicion turns into obsession, reality begins to slip, and time becomes his only witness.