Commissioned for The Radical Art of the Sandin Image Processor, vevves from the Front Porch channels Jon Satrom’s decades-long entanglement with the Image Processor. Working with SAIC’s machine, Satrom merges legacy circuitry with contemporary computation to produce a flowing fusion of analog pulses and AI hallucinations. The result is both a meditation on the strangeness of the present and an homage to a time when video moved like thought and signals wandered like water.